Realms & Immersive Storefronts, the film, AssetShop

AssetShop

VoxChain

Music, voice, podcasts and audiobooks, published with provenance.

The question

A track arrives. It sounds finished. Nothing about the file says who wrote it, who owns it, or who gets paid.

So the audio carries it

One record, from the moment of publication, travelling with the recording wherever it goes.

What travels with it

WhoThe publisher, as a name you can resolve, not a label in a database.

WhenThe moment of publication, timestamped and checkable.

WhatThe hash of the file, so a copy can be proved a copy.

SinceEvery edition after the first, as its own entry.

For the person listening

No advertising, no playlist economics, no fraction of a cent routed through four intermediaries.

For the person who made it

Ninety five percent of the net to the maker, after the processor and the tax, and the arithmetic is published.

Not only music

An album, a podcast, an audiobook, a voice note that matters. The same provenance covers all of it.

On the open web

It plays in any browser from a name you control. Nothing here can be delisted by someone else.

Publish something

Your recording, your name, your chain of custody, your terms.

Publish

Provenance that travels with the file, and payment that reaches the person who made it.

assetshop.eth

Ninety five percent to the maker

Music: “two chairs (reprise)”, Sacktap & Destroy, THE COUCH CAME INSIDE